TOUCHING FROM A DISTANCE BY DEBORAH  PAGE ONE EXCERPTS
I've read this one several times. One can read all the other books I've covered here and never get a real sense of Ian Curtis' persona outside the band as you can in this consuming account. I didn't get hold of this untill 1995, and untill then had no idea what kind of "person" Ian Curtis was on the flipside of stardom. Ian Curtis' widow, Deborah, brings one into their private lives, and humanizes the fleeting poet of Love and Tragedy. Don't read it to find out particular facts on gigs or recording dates or equipment used. You won't find that here. What you will discover is a love story spoiled by fame. We see Ian driven by his own inner agenda, and what it did to those who loved him.
Ian inherited his father’s love of writing and silent moods. Kevin Curtis had written several plays, but they had never been published. One of Ian’s favorite relatives was his father’s sister, Aunty Nell, a large overbearing woman with an excessive determination to get what she wanted from life. Bold and generous, Aunty Nell showered Ian with gifts and transfixed him with tales of her youth and her early modeling career. She made her life seen so exiting and instilled in him a belief that there was more to living than working nine to five and sharing an identical existence to your neighbors. Their personalities were strikingly similar in that they were both self assured and determined, although sometimes it seemed as if Nell would actually lend some of her confidence to Ian - he was visibly more outgoing in her company. As she had no children of her own she tended to mother him a little and often their relationship would appear slightly conspiratorial. One had the impression that if Ian were to confide in anyone, it would be Aunty Nell.

Ian’s main love in life was music and many lunchtimes were spent at the Victoria Park flat listening to the MC5, Roxy Music and the Velvet Underground. His fanaticism for David Bowie, and in particular his version of Jaques Brel’s song "My Death," was taken at the time to be a fashionable fascination and merely Ian’s recognition of Bowie’s mime, choreographed by Lindsay Kemp. The fact that most of Ian’s heroes were dead or obsessed with death was not unusual and is a common teenage fad. Ian seemed to take growing up more seriously than the others, as if kicking against it could prolong his youth. He bought a red jacket to match the one James Dean wore in Rebel Without a Cause. He wanted to be that rebel but, like his hero, he didn’t have a cause either. Mostly his rebellion took the form of verbal objection to anyone else’s was of life and, if he thought it appropriate, a sullen or disinterested expression. Because he was different, people wanted to be included in his circle of friends. He could draw in a person with his enigmatic charisma, which even then was obvious.

Ian and his contemporaries were able to smoke dope, sniff solvents and still leave time for studies. Although it was obvious to his friends that Ian was clever, he never seemed to do any work. His studies may have suffered, but he still managed to gain seven O levels in English Language, English Literature, Religious Knowledge, History, Latin, French and Mathematics. He was even awarded prizes in his favourite subjects - History and Divinity. Ironically, despite his admiration of the pomp and power of Germany, he failed O level German. He never spoke about furthering his education or which university he would like to attend. Although it was seldom discussed, the other boys had realistic career plans, but Ian always talked of a career in the music business. He and (boyhood friend) Oliver (Cleaver) would bicker about who would be the singer in the band, but Oliver never took the conversations seriously. It was clear to Oliver that groups such as the Beatles became famous in the music business by practicing labouriously. No one ever saw Ian learning to play the guitar and he never stood up and sang. His posing antics in the bedroom were taken as part of the fun, not a serious commitment to stardom.

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Touching From A Distance
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"Touching From A Distance - Ian Curtis And Joy Division" by Deborah Curtis. (212 Pages) Published in 1995 by Faber and Faber Limited, 3 Queen Square, London, WC1N 3AU, UK ISBN: 0.571.17445.0 Available

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